------------------------------ Loopers-Delight-d Digest Volume 97 : Issue 148 Today's Topics: Vortexs Galore [ patrick@his.com (Patrick Smith) ] TAGfest [ PMimlitsch@aol.com ] RE: Anyone have an Oberheim Echoplex [ Michael Peters ] RE: Modular Looping [ Mark@asisoftware.com (Mark Kata) ] Re: Modular Looping [ Steven Dubofsky ] FS: Dorkoder 7500 [ Steven Dubofsky ] PCM 42 upgrade? [ Richard Menger ] Re: Modular Looping [ improv@peak.org (Dave Trenkel) ] Re: TAGfest [ improv@peak.org (Dave Trenkel) ] MIDI "mute"? [ "T.W. Hartnett" ] Echoplexs have been found, thanks [ "Paul J. Dresher" ] Re: Modular Looping [ "Julia & Dave" ] Re: Modular Looping [ "Julia & Dave" ] Re: Echoplexs have been found, thank [ John Neilson ] Re: Echoplexs have been found, thank [ Phil Diem ] Digitech PDS-???? pedals for looping [ Darcy Clark Content-Type: text/plain; charset="us-ascii" For anyone interested in A Vortex, there are three of them for sale at Harmony Central today. All are priced at $250 each. Patrick *** *** ** Fingerpaint http://www.his.com/~patrick/FNGP.html *** ** ------------------------------ Date: Mon, 8 Sep 1997 20:22:00 -0400 (EDT) From: PMimlitsch@aol.com To: Loopers-Delight@annihilist.com Subject: TAGfest Message-ID: <970908202029_1920293127@emout06.mail.aol.com> Had a real enjoyable time at TAGfest (Trenton Avant Garde Festival), both as a performer (in the duo "Invasion of Time" w/fellow Stick player/Loopist Jim Speer) and listener. A couple of observations: 1) Not one of the 5 (there may have been others that I missed in my wanderings) other musicians utilizing a looping device had heard of "Looper's Delight" or the mail list-a situation I corrected which should result in some more "signers on". 2) Of the 5 other loopers there, one (synthesist Mike Hopkins) was using a Mac 6400 running MOTU's Digital Performer to control sequences and loops. The others ("Ram Umbus"'s tuba player/vocalist and their guitarist, "N.C.17"'s guitarist and one other bands'-name forgotten- guitarist) all utilized the Diditech PDS 8000 pedal. Experimental guitarist Edward Chang (who w/partner Mokoto Shimizu make up "N.C.17") ran his PDS 8000 into a DODfx94 then into a Boss reverb/delay (2 sec.) pedal. Results? Real nice, both from a sonic standpoint as well as from an educational standpoint. I recently purchased a used PDS8000, mainly for nostalgic reasons-I got rid of mine in the upgrade (Jman) trail, and am inspired to try new things with this supposed "old technology". For the record Jim and I both used Jammen (I also used a DigiRDS8000) for our loopage. - Paul ------------------------------ Date: Tue, 9 Sep 1997 02:15:18 -0400 From: Michael Peters To: "'INTERNET:Loopers-Delight@annihilist.com'" Subject: RE: Anyone have an Oberheim Echoplex for Sale? Message-ID: <199709090215_MC2-1FA9-C87A@compuserve.com> Content-Type: text/plain Content-Disposition: inline Paul Dresher wrote, >I'm searching hard for a couple of Oberheim Echoplexs. Welcome Paul. I don't have Echoplexes for you, but I'm very excited to have you here - I love your records a lot. I'd be delighted to add your personal profile to our 'loopers of the world' webpage. ___________ Michael Peters http://ourworld.compuserve.com/homepages/mpeters HOP - Fractals in Motion ..."the only screen saver you'll ever want" http://ourworld.compuserve.com/homepages/mpeters/hop.htm Support the Warr Guitar Defense Fund http://home.earthlink.net/~greendog/warrfund.html ------------------------------ Date: Tue, 9 Sep 1997 10:00:45 -0700 From: "Julia & Dave" To: "Looper's Delight" Subject: Modular Looping Message-Id: <199709091401.KAA09204@mail.colba.net> Content-Type: text/plain Content-Transfer-Encoding: 7bit Hi, I am kinda new to the list, but I've visited all your Web sites and I was just wondering if there are any of you out there who loop synthesizers. I loop using a Delta Lab Effectron III, Lexicon JamMan, and use a Roland SDE-330 Dimensional Space Delay to sweeten the lot, but my sources are mostly EMS VCS-3 and custom modules. The closest I come to guitar looping is using a bass thru a pitch to voltage converter as a controller. To make matters even stranger, Robert Fripp is my main influence. Seeking kindred folk, D 4 V 1 D K R 1 5 T 1 4 N "The most remarkable aspect of today's artistic environment is the coexistence of so many centuries at the same moment." --- Joel Chadabe (1971) P.S. Thank you for turning me on to the Vortex, I have ordered one which shall be in my rack tomorrow night. ------------------------------ Date: Tue, 9 Sep 1997 10:17:48 -0400 From: Mark@asisoftware.com (Mark Kata) To: "'Loopers-Delight@annihilist.com'" Subject: RE: Modular Looping Message-ID: <01BCBD09.A0DE2680@mark.asisoftware.com> Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit Hi David, Tell us how you use your VCS3. Also, which pitch to voltage convertor do you use? Thanks, Mark Kata Mark@asisoftware.com ---------- From: Julia & Dave[SMTP:jndk@colba.net] Sent: Tuesday, September 09, 1997 1:00 PM To: Looper's Delight Subject: Modular Looping Hi, I am kinda new to the list, but I've visited all your Web sites and I was just wondering if there are any of you out there who loop synthesizers. I loop using a Delta Lab Effectron III, Lexicon JamMan, and use a Roland SDE-330 Dimensional Space Delay to sweeten the lot, but my sources are mostly EMS VCS-3 and custom modules. The closest I come to guitar looping is using a bass thru a pitch to voltage converter as a controller. To make matters even stranger, Robert Fripp is my main influence. Seeking kindred folk, D 4 V 1 D K R 1 5 T 1 4 N "The most remarkable aspect of today's artistic environment is the coexistence of so many centuries at the same moment." --- Joel Chadabe (1971) P.S. Thank you for turning me on to the Vortex, I have ordered one which shall be in my rack tomorrow night. ------------------------------ Date: Tue, 9 Sep 1997 10:19:40 -0400 (EDT) From: Steven Dubofsky To: "Looper's Delight" Subject: Re: Modular Looping Message-ID: Content-Type: TEXT/PLAIN; charset=US-ASCII > > I am kinda new to the list, but I've visited all your Web sites and I was > just > wondering if there are any of you out there who loop synthesizers. For years my looping setup was primarily a Kork MonoPoly and two reel to reels. The decks are gone as is the Korg but synths are my primary instuments. I recently got a CS1x that has an abundance of realtime control and am awaiting the arrival, hopefully today, of a 4 second Korg Delay. An expressive synth is a must, knobs and realtime control and such. > I loop using a Delta Lab Effectron III, Lexicon JamMan, and use a > Roland SDE-330 Dimensional Space Delay to sweeten the lot, but my > sources are mostly EMS VCS-3 and custom modules. The closest I come > to guitar looping is using a bass thru a pitch to voltage converter as a > controller. > > To make matters even stranger, Robert Fripp is my main influence. As far as instumental loops go Bobby Boy is and Eno are it for me as well. steve d skullsaw must be applied directly to the stain http://www.gti.net/skullsaw ------------------------------ Date: Tue, 9 Sep 1997 10:24:30 -0400 (EDT) From: Steven Dubofsky To: "Looper's Delight" Subject: FS: Dorkoder 7500 Message-ID: Content-Type: TEXT/PLAIN; charset=US-ASCII Speaking of reel to reel....would anyone be interested in buying a Dokorder 7500? It's in perfect condition (lie). Sounds great (needs work). Portable (lie). The capstan seems to be frozen but maybe someone could use this as a fixer-upper. I'd take just about any offer for it. steve d skullsaw must be applied directly to the stain http://www.gti.net/skullsaw ------------------------------ Date: Tue, 09 Sep 1997 11:29:55 -0500 From: Richard Menger To: Loopers-Delight@annihilist.com Subject: PCM 42 upgrade? Message-Id: <34157972.5175@GroupZ.net> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Anyone know how to expand the memory in a Lexicon pcm42? I have 4.8 seconds now and would like as much as I can get of course...:) thanks in advance, Rich ------------------------------ Date: Tue, 9 Sep 1997 10:19:14 -0800 From: improv@peak.org (Dave Trenkel) To: Loopers-Delight@annihilist.com Subject: Re: Modular Looping Message-Id: Content-Type: text/plain; charset="us-ascii" >Hi, > >I am kinda new to the list, but I've visited all your Web sites and I was >just >wondering if there are any of you out there who loop synthesizers. > >I loop using a Delta Lab Effectron III, Lexicon JamMan, and use a >Roland SDE-330 Dimensional Space Delay to sweeten the lot, but my >sources are mostly EMS VCS-3 and custom modules. The closest I come >to guitar looping is using a bass thru a pitch to voltage converter as a >controller. > I loop 6-string bass, a couple of ARP's, an Oberheim SEM, a yamaha VL-70 (triggered from a wind controller, I don't play it very well but it sure is fun) and various other synths through a JamMan, a Vortex and an LXP-5. Can you give me more info on the pitch-to-voltage converter you use? Is it a commercial product or custom made. I'd love to have something like that to trigger the SEM from my bass. I've tried a few pitch to MIDI converters with not a l;ot of success. >P.S. Thank you for turning me on to the Vortex, I have ordered one which >shall be in my >rack tomorrow night. You will love it. It's one of those boxes that gets deeper every time I try to figure it out. It produces sounds that I've never heard from any other FX box in 20 years of messing with this stuff. ________________________________________________________ Dave Trenkel : improv@peak.org : www.peak.org/~improv/ "...there will come a day when you won't have to use gasoline. You'd simply take a cassette and put it in your car, let it run. You'd have to have the proper type of music. Like you take two sticks, put 'em together, make fire. You take some notes and rub 'em together - dum, dum, dum, dum - fire, cosmic fire." -Sun Ra ________________________________________________________ ------------------------------ Date: Tue, 9 Sep 1997 10:25:59 -0800 From: improv@peak.org (Dave Trenkel) To: Loopers-Delight@annihilist.com Subject: Re: TAGfest Message-Id: Content-Type: text/plain; charset="us-ascii" At 8:22 PM 9/8/97, PMimlitsch@aol.com wrote: >"N.C.17"'s guitarist and one other bands'-name forgotten- guitarist) all >utilized the Diditech PDS 8000 pedal. Experimental guitarist Edward Chang >(who w/partner Mokoto Shimizu make up "N.C.17") ran his PDS 8000 into a >DODfx94 then into a Boss reverb/delay (2 sec.) pedal. Results? Real nice, >both from a sonic standpoint as well as from an educational standpoint. I I played with Ed Chang quite a bit last year when he was living in Portland, and he'll appear on our upcoming CD, currently awaiting funds and free time to finish mastering and press. He was taking a sabbatical from guitar at the time and learning clarinet, and was a pretty interesting player in a John Zorn/Evan Parker frame. We recorded a few duets with me processing/looping his clarinet that may make it onto the CD, he's a very interesting player and thinker. ________________________________________________________ Dave Trenkel : improv@peak.org : www.peak.org/~improv/ "...there will come a day when you won't have to use gasoline. You'd simply take a cassette and put it in your car, let it run. You'd have to have the proper type of music. Like you take two sticks, put 'em together, make fire. You take some notes and rub 'em together - dum, dum, dum, dum - fire, cosmic fire." -Sun Ra ________________________________________________________ ------------------------------ Date: Tue, 9 Sep 97 16:07:37 -0000 From: "T.W. Hartnett" To: "Looper's Delight" Subject: MIDI "mute"? Message-Id: <199709092104.OAA16152@scv1.apple.com> Content-Type: text/plain; charset="US-ASCII" I'm looking for a way to mute the output of my drum machine (an Alesis SR-16) via MIDI. Currently my Echoplex is slaved to the SR-16. Sometimes I want to mute the drum machine without decoupling it from the Echoplex, so that when I bring the drums back in, everything's still in sync. My audio mixer doesn't have channel mute, and I'm looking for a way to do this with a footswitch. Anyone have any suggestions? Travis ------------------------------ Date: Tue, 09 Sep 1997 14:40:24 -0700 From: Kim Flint To: Loopers-Delight@annihilist.com Subject: Re: MIDI "mute"? Message-Id: <2.2.32.19970909214024.0098ef64@pop.chromatic.com> Content-Type: text/plain; charset="us-ascii" How about setting up another pattern in the SR-16 with nothing in it? Switch to that pattern when you want to mute (it'll wait till the end of the current pattern if it's like the HR16.) The new pattern will play in the same tempo and still generate midi clock, even though there's nothing to actually play. Otherwise, does it respond to continuous controller volume? I never checked that on my old hr16, but it would be useful. Then you would just set a pedal to send CC 7, value 0 and it should shut up. kim At 04:07 PM 9/9/97 -0000, you wrote: >I'm looking for a way to mute the output of my drum machine (an Alesis >SR-16) via MIDI. >Currently my Echoplex is slaved to the SR-16. Sometimes I want to mute >the drum machine without decoupling it from the Echoplex, so that when I >bring the drums back in, everything's still in sync. My audio mixer >doesn't have channel mute, and I'm looking for a way to do this with a >footswitch. >Anyone have any suggestions? > >Travis > > > ________________________________________________________ Kim Flint 408-752-9284 Mpact System Engineering kflint@chromatic.com Chromatic Research http://www.chromatic.com ------------------------------ Date: Wed, 10 Sep 1997 03:34:24 -0400 From: "Paul J. Dresher" To: "INTERNET:Loopers-Delight@annihilist.com" Subject: Echoplexs have been found, thanks Message-ID: <199709100334_MC2-1FD6-7014@compuserve.com> Content-Type: text/plain Content-Disposition: inline Dear Friends: Thanks for all the welcome notes from many of you. And because of that last post searching for Echoplexs, I've now got two! (And am already thinking about more). Michael Peters: I've not had a chance to check out the Webpage with the profiles so I'm not sure what would be involved in helping you add my profile to this list. But I really appreciate your offer and let me know what needs to happen next. Is there some informal way people introduce themselves to this list? Thanks again, Paul Dresher ------------------------------ Date: Wed, 10 Sep 1997 07:10:19 -0700 From: "Julia & Dave" To: Subject: Re: Modular Looping Message-Id: <199709101110.HAA23059@mail.colba.net> Content-Type: text/plain Content-Transfer-Encoding: 7bit Re: Fripp & Eno, be sure to also listen to Alvin Lucier's work. He may not always use loops, but I he's right up there as well. -David K. ---------- > From: Steven Dubofsky > To: Looper's Delight > Subject: Re: Modular Looping > Date: Tuesday, September 09, 1997 7:19 AM > > > > > I am kinda new to the list, but I've visited all your Web sites and I was > > just > > wondering if there are any of you out there who loop synthesizers. > > For years my looping setup was primarily a Kork MonoPoly and two reel to > reels. The decks are gone as is the Korg but synths are my primary > instuments. I recently got a CS1x that has an abundance of realtime > control and am awaiting the arrival, hopefully today, of a 4 second > Korg Delay. An expressive synth is a must, knobs and realtime control and > such. > > > > I loop using a Delta Lab Effectron III, Lexicon JamMan, and use a > > Roland SDE-330 Dimensional Space Delay to sweeten the lot, but my > > sources are mostly EMS VCS-3 and custom modules. The closest I come > > to guitar looping is using a bass thru a pitch to voltage converter as a > > controller. > > > > To make matters even stranger, Robert Fripp is my main influence. > > As far as instumental loops go Bobby Boy is and Eno are it for me as well. > > steve d > > > skullsaw must be applied directly to the stain > > http://www.gti.net/skullsaw > ------------------------------ Date: Wed, 10 Sep 1997 07:30:06 -0700 From: "Julia & Dave" To: Subject: Re: Modular Looping Message-Id: <199709101130.HAA23755@mail.colba.net> Content-Type: text/plain Content-Transfer-Encoding: 7bit > >P.S. Thank you for turning me on to the Vortex, I have ordered one which > >shall be in my > >rack tomorrow night. > > You will love it. It's one of those boxes that gets deeper every time I try > to figure it out. It produces sounds that I've never heard from any other > FX box in 20 years of messing with this stuff. Hey, I originaly wanted one, but the people at Steve's Music Store had told me it did little more than delay and modulation effects. I usually never listen to salespeople's advice, but I found it odd that they weren't pushing this product on me, knowing that all I ever look for is freaky stuff. A shame that Lexicon gave up on this and the JamMan, two great devices that are sure to gain the same type of cult status as Electro- Harmonix and Mu-Tron boxes did. ( ( ( ( ( ( ) ) ) ) ) ) D 4 V 1 D K R 1 5 T 1 4 N "The most remarkable aspect of today's artistic environment is the coexistence of so many centuries at the same moment." --- Joel Chadabe (1971) ________________________________________________________ > Dave Trenkel : improv@peak.org : www.peak.org/~improv/ > > "...there will come a day when you won't have to use > gasoline. You'd simply take a cassette and put it in > your car, let it run. You'd have to have the proper > type of music. Like you take two sticks, put 'em > together, make fire. You take some notes and rub 'em > together - dum, dum, dum, dum - fire, cosmic fire." > -Sun Ra > ________________________________________________________ > > ------------------------------ Date: Wed, 10 Sep 1997 07:42:52 -0700 From: "Julia & Dave" To: Subject: Re: Modular Looping Message-Id: <199709101143.HAA24222@mail.colba.net> Content-Type: text/plain Content-Transfer-Encoding: 7bit > Date: Tuesday, September 09, 1997 7:17 AM > Mark Kata wrote: > Hi David, > > Tell us how you use your VCS3. Also, which pitch to voltage convertor do you use? ______________________________________________ Here goes, I currently do not own any keyboard instruments, and I sold the "Cricklewood" which I got with my VCS-3. So I rely on several sources for control. 1. EMS Pitch To Voltage Converter, driven from the insanely detuned strings of my Fender (Squier) "Precision" Bass. 2. EMS Random Voltage Generator, two staircase oscillators which give results simillar to those achieved with sample & hold, but even more random and smoother sounding. Very Sci-Fi. 3. Custom made devices such as the IC1 Electronics Velvet Touch Oscillator bank, which outputs the three basic waveforms either at LFO or audio range. this has a CV in, I use it mostly as an FM source or carrier for the Ring Mod on the VCS-3. 4. I do not currently have my JaMMan, which was upgraded to 32 secs., but I'm in the process of getting it back. 5. The Delta Lab Effectron III is used mostly for looping selected segments from the VCS, with the Random Voltage Gen. riding the CV in. Nice and Grainy. 6. Time to go, I'm giving away too many secrets, and wasting bandwidth. ;) D 4 V 1 D K R 1 5 T 1 4 N "The most remarkable aspect of today's artistic environment is the coexistence of so many centuries at the same moment." --- Joel Chadabe (1971) ------------------------------ Date: Wed, 10 Sep 1997 09:20:36 -0400 (EDT) From: John Neilson To: Loopers-Delight@annihilist.com Subject: Re: Echoplexs have been found, thanks Message-Id: <199709101320.JAA02390@echonyc.com> Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit > > Dear Friends: > > Thanks for all the welcome notes from many of you. And because of that > last post searching for Echoplexs, I've now got two! (And am already > thinking about more). > Wow, I've been keeping an eye out for a little while without that kind of luck. So I guess I should be a little more upfront and announce that I, TOO, AM LOOKING FOR AN OBERHEIM ECHOPLEX, ANY LEADS APPRECIATED before Paul gets them all (insert smiley face here). Thanks, all. ----------------------- Tear Along Dotted Line ----------------------- John Neilson www.mixup.com jneil@mixup.com "a site for sore ears" ------------------------------ Date: Wed, 10 Sep 97 09:42:27 -0000 From: Phil Diem To: Subject: Re: Echoplexs have been found, thanks Message-Id: Content-Type: text/plain; charset="US-ASCII" Hi Paul, welcome to the list! Would you mind elaborating a little bit more on the results of your search for Echoplexs - where you found them, cost? There seem to be a few people on the list who are also searching for plexs (and jammen, vortexs, ect.) and for a variety of reasons, these units are difficult to come by. I'd hate to see this list become an equipment trading post, there's too many good ideas and other info being tossed around here, but succinct posts re: sources for equipment may stave off a lot of individual queries to the list. I, at least, have appreciated the recent posts about stuff for sale. Maybe others disagree? ;-) phil digital loop technology is better than...peanut butter...drugs...sex, nah ------------------------------ Date: Wed, 10 Sep 1997 09:55:46 -0400 (EDT) From: Steven Dubofsky To: Loopers-Delight@annihilist.com Subject: WTB: Digitech RDS8000 or 7.6 Message-ID: Content-Type: TEXT/PLAIN; charset=US-ASCII Since it seems that this is a good place for finding stuff I thought I'd take a shot. I'm looking for a Digitech RDS8000, 7.6 or even the 6400( i think that's the number). I could pay cash or maybe trade my Korg SDD-2000 Midi Sampling Delay, goes to 4.3 seconds, I'd just like to have a bit more time, I'm so greedy. steve d skullsaw must be applied directly to the stain http://www.gti.net/skullsaw ------------------------------ Date: Wed, 10 Sep 1997 09:57:47 -0500 From: Darcy Clark To: Loopers-Delight@annihilist.com Subject: Digitech PDS-???? pedals for looping Message-Id: Content-Type: text/plain; charset="us-ascii" While I am tempted to shell out the big-$$ on an echoplex or jamman, and given the relative scarcity of both, and also given my neophyte status, I am wondering whether a Digitech PDS pedal or something similar might suffice for the moment. I understand these pedals to have the capability of sampling and holding and they can have up to 8 seconds delay - that would be plenty for me at the moment. Do these pedals have any other capabilities that are useful ? Which is the most ideal for the purposes of looping ? thanks for any help, Darcy Clark +++++++++++++++++++++++++++++++++++++++++++++ Materials Science and Engineering Department University of Michigan Ann Arbor, MI, 48109-2136 USA +++++++++++++++++++++++++++++++++++++++++++++ Room 2130, Dow Building Phone (313) 764 3377 Fax (313) 763 4788 E-mail darcyc@engin.umich.edu http://msewww.engin.umich.edu/mse250 http://msewww.engin.umich.edu/people/darcyc/ http://www-personal.engin.umich.edu/~darcyc/ +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ------------------------------ Date: Wed, 10 Sep 1997 11:01:39 -0400 (EDT) From: KILLINFO@aol.com To: Loopers-Delight@annihilist.com Subject: Re: Anyone have an Oberheim Echoplex for Sale? Message-ID: <970910110015_792819111@emout12.mail.aol.com> Greeting Loopersons, I've must be a little slow on the uptake here or something. A few days ago an SOS for EDP assistance was put on the list by a fellow named Paul Dresher. Paul is a former analog tape looper of some renown. I, in fact saw him perform years ago in an art museum show in Southern California that was absolutely stunning! That performance (and the few of his recordings I've been able to find) have been a great insiration to me ever since. As I remember (at that particular time) he was using a multitrack reel-to-reel system (not altogether unlike Fripp's) but with the additional feature of a bank of footpedals to operate as volume faders for each track. But, more impressive than the rig was the music itself (for which it would be an injustice for me to even begin to describe). You owe it to youselves to check this guy out. He's got a disc or two out out on the New Albion label and a few others elsewhere I believe. He's a composer who has pretty thouroughly plummed the depths of looping as a musical concept and now he's joining the ranks of us digital loopers...hmmmm. Ciao, Ted Killian --------------------------------