------------------------------ Loopers-Delight-d Digest Volume 97 : Issue 178 Today's Topics: Re: Firewire (IEEE1394) interfaces [ Kim Flint ] ccMail SMTPLINK Undeliverable Messag [ nm@mail.amsinc.com (ccMail SMTPLINK ] "Show of Hands" sounds [ patrick@his.com (Patrick Smith) ] 2 questions [ Sean Echevarria ] Re: Breath controller? [ inti@webtv.net (Carlos Carrillo) ] Re: Echoplex Digital Wanted [ "G. Peterson" ] Re: marimba, kalimba, steel drum sou [ "Mikell D. Nelson" ] Re: Vortex for sale [ PJBMHB@aol.com ] Re: Re: Vortex for sale [ Dpcoffin@aol.com ] Re: Re: Vortex for sale [ Dpcoffin ] ring mod signals & Re: marimba, kali [ Erik Ljones ] Re: Breath controller? [ David & Daniel Ferguson To: Loopers-Delight@annihilist.com Cc: Loopers-Delight@annihilist.com Subject: Re: Firewire (IEEE1394) interfaces Message-Id: <2.2.32.19971022203410.0087fed0@pop.chromatic.com> Content-Type: text/plain; charset="us-ascii" Microsoft is pushing both firewire and USB, and both are supposed to be part of Windows 98. USB will be on everything, while firewire is a high bandwidth option for medium and high-end machines, especially those for multimedia applications. Sort of like how now, every machine has a printer port, but not everything has ethernet or scsi. Firewire is supposed to replace things like scsi, parallel ports, and ethernet for some applications. It will be used for audio, digital video, disk drives, dvd drives, scanners, printers, digital cameras, etc. In this context, musical instruments are another pc peripheral and would be expected to have this interface too. As far as looping goes, it a performance looping context you are basically excercising control over audio streams in real time. This is exactly the sort of thing that firewire is designed to do. So instead being limited to keeping audio loop data in one box, you would be able to freely route it in real time, as you manipulate and control it. That's what you all want to do, right? kim At 12:32 PM 10/22/97 -0700, Scot Gresham-Lancaster wrote: >At the recent SIGGRAPH yamaha showed a very interesting mixing system that >was capable of 16bit 44.1k 100+ channels using fire wire. This looked like >a fairly amazing system and promised to bust open the digital audio market. >It doesn't take a huge leap of faith to imagine a control protocol being >developed in this context...once the hardware is in place that is. > >BTW ...USB is significantly slower and a much tighter and expensive >development ramp up. Which means that Microsoft will probably puch it >instead...sigh... > >At 11:28 AM 10/22/97 -0700, you wrote: >> >>As we discovered with zipi, and as Greg just demonstrated for us, making >>these changes from within the music industry is very hard. The industry is >>very slow and not willing to take risks, and usually not very up to date on >>current technology trends. >> >>Fortunately, I guess, we have microsoft. Microsoft is dictating as part of >>the PC '98 specification that all PC's from here on out have only USB and >>Firewire (IEEE1394) interfaces. This means that you will not have midi >>ports grafted on the joystick connector anymore, or hacked into a serial >>port or whatever. Midi control data will be communicated over firewire or >>USB. These peripheral networks will also be used for transmitting audio and >>video, so all of these things can easily be lumped together in one wire. > >> >Scot Gresham-Lancaster >< Composer, Performer, Instrument Designer, Consultant, Technician, Educator > >ph: 510-885-3150 fax:510-885-3146 >email: scot@csuhayward.edu >www: http://tesla.csuhayward.edu/~sglbio.html > >The market place is where greedy people cooperate. >A community takes imagination ....Robert Haas > > > ________________________________________________________ Kim Flint 408-752-9284 Mpact System Engineering kflint@chromatic.com Chromatic Research http://www.chromatic.com ------------------------------ Date: Wed, 22 Oct 97 16:36:52 EST From: nm@mail.amsinc.com (ccMail SMTPLINK) To: Loopers-Delight@annihilist.com Subject: ccMail SMTPLINK Undeliverable Message Message-Id: <9709228775.AA877563412@mail.amsinc.com> Message undeliverable at this time Original text follows ---------------------------------------------- Received: from ams.amsinc.com by mail.amsinc.com (SMTPLINK V2.11.01) ; Wed, 22 Oct 97 16:36:45 EST Return-Path: Received: from ferret (ferret.slip.net) by ams.amsinc.com (4.1/SMI-4.1) id AA06958; Wed, 22 Oct 97 16:43:52 EDT Received: from lists by ferret with local (Exim 1.62 #4) id 0xO7Vq-0002BI-00; Wed, 22 Oct 1997 13:36:18 -0700 Message-Id: <2.2.32.19971022203410.0087fed0@pop.chromatic.com> X-Sender: kflint@pop.chromatic.com X-Mailer: Windows Eudora Pro Version 2.2 (32) Date: Wed, 22 Oct 1997 13:34:10 -0700 To: Loopers-Delight@annihilist.com From: Kim Flint Subject: Re: Firewire (IEEE1394) interfaces Cc: Loopers-Delight@annihilist.com Resent-Message-Id: <"0_7v9.A.p0B.FNmT0"@ferret> Resent-From: Loopers-Delight@annihilist.com Reply-To: Loopers-Delight@annihilist.com X-Mailing-List: archive/latest/841 Precedence: list Resent-Sender: SmartList Resent-To: Edward_Chang@mail.amsinc.com Resent-Date: Wed, 22 Oct 1997 13:36:18 -0700 Microsoft is pushing both firewire and USB, and both are supposed to be part of Windows 98. USB will be on everything, while firewire is a high bandwidth option for medium and high-end machines, especially those for multimedia applications. Sort of like how now, every machine has a printer port, but not everything has ethernet or scsi. Firewire is supposed to replace things like scsi, parallel ports, and ethernet for some applications. It will be used for audio, digital video, disk drives, dvd drives, scanners, printers, digital cameras, etc. In this context, musical instruments are another pc peripheral and would be expected to have this interface too. As far as looping goes, it a performance looping context you are basically excercising control over audio streams in real time. This is exactly the sort of thing that firewire is designed to do. So instead being limited to keeping audio loop data in one box, you would be able to freely route it in real time, as you manipulate and control it. That's what you all want to do, right? kim At 12:32 PM 10/22/97 -0700, Scot Gresham-Lancaster wrote: >At the recent SIGGRAPH yamaha showed a very interesting mixing system that >was capable of 16bit 44.1k 100+ channels using fire wire. This looked like >a fairly amazing system and promised to bust open the digital audio market. >It doesn't take a huge leap of faith to imagine a control protocol being >developed in this context...once the hardware is in place that is. > >BTW ...USB is significantly slower and a much tighter and expensive >development ramp up. Which means that Microsoft will probably puch it >instead...sigh... > >At 11:28 AM 10/22/97 -0700, you wrote: >> >>As we discovered with zipi, and as Greg just demonstrated for us, making >>these changes from within the music industry is very hard. The industry is >>very slow and not willing to take risks, and usually not very up to date on >>current technology trends. >> >>Fortunately, I guess, we have microsoft. Microsoft is dictating as part of >>the PC '98 specification that all PC's from here on out have only USB and >>Firewire (IEEE1394) interfaces. This means that you will not have midi >>ports grafted on the joystick connector anymore, or hacked into a serial >>port or whatever. Midi control data will be communicated over firewire or >>USB. These peripheral networks will also be used for transmitting audio and >>video, so all of these things can easily be lumped together in one wire. > >> >Scot Gresham-Lancaster >< Composer, Performer, Instrument Designer, Consultant, Technician, Educator > >ph: 510-885-3150 fax:510-885-3146 >email: scot@csuhayward.edu >www: http://tesla.csuhayward.edu/~sglbio.html > >The market place is where greedy people cooperate. >A community takes imagination ....Robert Haas > > > ________________________________________________________ Kim Flint 408-752-9284 Mpact System Engineering kflint@chromatic.com Chromatic Research http://www.chromatic.com ------------------------------ Date: Wed, 22 Oct 1997 17:41:32 +0200 From: patrick@his.com (Patrick Smith) To: Loopers-Delight@annihilist.com Subject: "Show of Hands" sounds Message-Id: Content-Type: text/plain; charset="us-ascii" Michale said: >Well, a bunch of acoustic players get some pretty steel-drum-ish sounds on >Fripp & Crafty Guitarist's "Show of Hands". I think they're playing above >the nut tho'... do you need the sound to be tunable? > >Michael ACtually those sounds on the piece " A Connecticut Yankee in the Court of King Arthur" are made by twisting two adjaacent strings together. In contemporary classical guitar technique this is referred to appropriately enough as "the snare drum" effect. Among others Czech guitarist/composer Stepan Rak also has used this technique to good musical use. Patrick *** *** ** Fingerpaint http://www.his.com/~patrick/FNGP.html *** ** ------------------------------ Date: Wed, 22 Oct 1997 19:46:31 -0700 From: Sean Echevarria To: Loopers-Delight@annihilist.com Subject: 2 questions Message-Id: <3.0.3.32.19971022194631.009c35b0@global.california.com> Content-Type: text/plain; charset="us-ascii" A lot of people have recommended the Roland EV-10 for use with the Vortex. Doesn't look like it's made anymore. Any consensus on the EV-5? And second, has anyone actually gotten the Echoplex upgrade since Oberheim moved cross country? Just trying to find out if it's safe to send them money at this point. Thanks, Sean ------------------------------ Date: Thu, 23 Oct 1997 02:00:01 -0400 (EDT) From: Fmplautus@aol.com To: Loopers-Delight@annihilist.com Subject: Re: test - ignore Message-ID: <971023020000_-1494458379@emout13.mail.aol.com> got your message, Kim ------------------------------ Date: Thu, 23 Oct 1997 07:16:37 -0400 From: Mark@asisoftware.com (Mark Kata) To: "'Loopers-Delight@annihilist.com'" Subject: RE: marimba, kalimba, steel drum sounds Message-ID: <01BCDF83.9AFCCD60@mark.asisoftware.com> Content-Type: text/plain; charset="us-ascii" Here are the settings for the Steel Drum patch on the original Peavey ProFex preamp. You can probably get a similar sound with a similar collection of stomp boxes or another multi-effects unit. Compressor Attack = extra fast Release = slow Sustain = 6 (maximum) Level = 100% Noise Gate Through = 10 (maximum) 3 Band EQ Type = Drastic Low = 0 (flat) Mid Frequency = 2.1 KHz Mid Gain = -33 (where 0 = flat, 100 = maximum boost, -100 = maximum cut) High = -34 Pitch Shifter Course Pitch = +12 (one octave up) Cents = +50 Pre-Delay = 0 ms Feedback = 48% Mix = 62% Reverb Type = Tunnel Size = Huge Pre-Delay = 0 ms Time = 0.2 sec. Damp = 1 KHz Mix = 100% I hope this helps. Mark Kata Mark@asisoftware.com ---------- From: Len Seligman[SMTP:seligman@mitre.org] Sent: Wednesday, October 22, 1997 12:33 AM To: Loopers-Delight@annihilist.com Subject: marimba, kalimba, steel drum sounds Hi folks, I'm a looping guitarist/vocalist that plays with a looping electric violinist/vocalist. Additional sounds/textures I'd like to bring in include marimbas, kalimbas (African thumb piano), and steel drums. Any suggestions about effects that could be used to get these or related sounds from an electric guitar or violin? Thanks, Len Seligman ------------------------------ Date: Thu, 23 Oct 1997 12:38:17 -0500 From: "Type in your real name here" To: Subject: Jam Man: sell or trade Message-ID: <01bcdfda$72d41ee0$640753d1@greg> Content-Type: multipart/alternative; boundary="----=_NextPart_000_0047_01BCDFB0.89FE16E0" I have a pristine Jam Man with 32 second upgrade that is gathering dust and would be put to much better use by somebody else.Ê I am most interested in trading it for a midi sound module that would work nicely with a midi guitar controller (Shadow 075).Ê I do not know what a reasonable selling price would be, so I could use some feedback on that as well. Ê Thanks Ê Greg Rosenberg gregory@itis.com ------------------------------ Date: Thu, 23 Oct 1997 20:31:59 +0100 From: pycraft@elec.gla.ac.uk (Michael Pycraft Hughes, PhD) To: Loopers-Delight@annihilist.com Subject: New DOD pedal Message-Id: <4487.199710231931@rank-serv.elec.gla.ac.uk> Content-Type: text/plain; charset="us-ascii" The new FX98 pedal will have looping, 8 sec delay, or 4 sec REVERSE delay. Not to be confused with the current echo box. (FX96). This is from the current UK guitar mags - DOD haven't put it on their website yet. I think it's called the Echosonic. Michael ------------------------------ Date: Thu, 23 Oct 1997 18:08:02 -0400 (EDT) From: Drumworker@aol.com To: Loopers-Delight@annihilist.com Subject: Echoplex Digital Wanted Message-ID: <971023180729_2091056537@emout03.mail.aol.com> I need an Echoplex for a project that I'm working on - ASAP, but if I have to wait, (I know they're back-ordered at the factory) I will. However, if you know of one that's for sale please contact me directly - "drumworker@aol.com" Thanks, P. Ormandy Toronto. ------------------------------ Date: Thu, 23 Oct 1997 19:30:57 -0400 (EDT) From: Mark Sottilaro To: Loopers-Delight@annihilist.com Subject: Re: Jam Man: sell or trade Message-ID: Content-Type: TEXT/PLAIN; charset=US-ASCII On Thu, 23 Oct 1997, Type in your real name here wrote: > I have a pristine Jam Man with 32 second upgrade that is gathering dust and would be put to much better use by somebody else. I am most interested in trading it for a midi sound module that would work nicely with a midi guitar controller (Shadow 075). I do not know what a reasonable selling price would be, so I could use some feedback on that as well. > > Thanks > > Greg Rosenberg > gregory@itis.com > You can get anywhere from $250 to $300 for the JamMan. If you are interested in selling it outright, I may have a buyer who is interested. Let me know. Mark. ------------------------------ Date: Thu, 23 Oct 1997 19:34:41 -0400 (EDT) From: Dpcoffin@aol.com To: Loopers-Delight@annihilist.com Subject: Vortex for sale Message-ID: <971023193249_-790135361@emout08.mail.aol.com> Greetings, gearheads I've decided to part with my once-loved Vortex, since under-used fx units are starting to stack up around here... Its got a User's manual, the Applications manual, and two Lexicon dual footswitches. Best offer over $235, COD shipping included. David Coffin dcoffin@taunton.com work dpcoffin@aol.com home 800-283-7252, ext 518 days, EST 860-354-1571 eves ------------------------------ Date: Thu, 23 Oct 1997 19:35:58 -0400 (EDT) From: Dpcoffin@aol.com To: Loopers-Delight@annihilist.com Subject: Re: Korg DL-8000 / FireWire / IEEE1394 and music Message-ID: <971023193534_-760474047@emout01.mail.aol.com> Last I heard from Korg, these things won't ship til after the winter NAMM show. They sound pretty cool on paper, tho.. dpc <> ------------------------------ Date: Thu, 23 Oct 97 13:56:29 -0000 From: "T.W. Hartnett" To: "Looper's Delight" Subject: Breath controller? Message-Id: <199710231852.LAA31478@scv2.apple.com> Content-Type: text/plain; charset="US-ASCII" Not related to looping, but there's been enough discussion of various ways to implement real-time control of paramenters during performance that I thought I'd tap the collective knowledge of the group. Has anyone heard of a breath controller than can be used to generate MIDI CV messages? I remember that Allan Holdsworth used to use a breath controller with his SynthAxe, but I believe that was part of the SynthAxe package. I'm interested in trying to find a standalone unit which I could plug in to any MIDI CV input. My immediate use for this would be to give me a breath-controlled volume controller, to aid in simulating horn and string sounds. I've used a volume pedal for a long time, but the physical distance the pedal has to travel prevents really quick attacks and releases. I also think, that with practice, it would be easier to vary the volume level during a held sound than with the volume pedal. Anyone know of such a device? Travis Hartnett ------------------------------ Date: Fri, 24 Oct 1997 02:41:04 +0200 From: 7302 <7302@ssj.dtu.dk> To: 'Loopers-Delight' Subject: It could be a new looping device. Message-ID: <7906A58B2207D011B4CE00A024CF8B4907090F@www.ihs.dk> Content-Type: text/plain Hi out there. I'm in the process of establishing a company with a product line of "out there" musical effects and accessories. What I refer to as "out there" is anything that is wild, bizarre or in some way new and/or different that other products on the market. Therefore I would ask all of you "out there" people to tell me what you would like. Everything from small ideas to complete product descriptions will be appreciated. I don't think and hope that this letter in anyway break to rules for this list. After all, we will all benefit from this. Thank you, Stefan. ------------------------------ Date: Thu, 23 Oct 1997 18:30:53 -0700 From: inti@webtv.net (Carlos Carrillo) To: Loopers-Delight@annihilist.com Subject: Re: Breath controller? Message-Id: <199710240130.SAA00698@mailtod-1.alma.webtv.net> Content-Type: TEXT/PLAIN; CHARSET=US-ASCII Content-Transfer-Encoding: 7BIT I use a Yamaha BC-1 breath controller plugged into an Anatek "Wind Machine". This unit converts the output from the breath controller into a midi control message that then can then be fed to any of my midi intelligent rack goodies. Having the ability to route this modulation source to any parameter destination has really increased my weirdness. Try it !!!! Carlos R. Carrillo ------------------------------ Date: Thu, 23 Oct 1997 21:53:14 -0400 From: "G. Peterson" To: Subject: Re: Echoplex Digital Wanted message-id: TCPSMTP_GEN.5888.11592@204.138.111.42 Content-Type: text/plain Content-Transfer-Encoding: 7bit Hello P. Ormandy, I tried sending you a message off list but it came back as a bad address. Would you mind shooting my correct email. Cheers, Gordon ---------- > From: Loopers-Delight@annihilist.com > To: Rainham > Subject: Echoplex Digital Wanted > Date: Thursday, October 23, 1997 7:23 PM > > > I need an Echoplex for a project that I'm working on - ASAP, but if I have to > wait, (I know they're back-ordered at the factory) I will. However, if you > know of one that's for sale please contact me directly - "drumworker@aol.com" > > Thanks, > > P. Ormandy > Toronto. ------------------------------ Date: Thu, 23 Oct 1997 22:11:15 -0400 From: djdowling@earthlink.net To: Loopers-Delight@annihilist.com Subject: Re: marimba, kalimba, steel drum sounds Message-ID: <345003C3.3042@earthlink.net> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit All of these sounds are in the Roland gr-30 guitar synth. Dave ------------------------------ Date: Fri, 24 Oct 1997 04:25:53 +0200 From: 7302 <7302@ssj.dtu.dk> To: 'Loopers-Delight' Subject: Patrick, about my company. Message-ID: <7906A58B2207D011B4CE00A024CF8B49070910@www.ihs.dk> Content-Type: text/plain Hi Patrick. I'm sorry if I expressed myself wrong. My company is dedicated to "out there" product, therefore we need info from artists around the world to make the best "out there" products for your needs. We are however also working on some of our own ideas, but I'm sorry to say that I can't get into details about these yet because we are working on some pretty innovative stuff and need the patents first. Thank you for your interest. Stefan. ------------------------------ Date: Fri, 24 Oct 1997 00:36:02 -0500 From: "Mikell D. Nelson" To: Loopers-Delight@annihilist.com Subject: Re: marimba, kalimba, steel drum sounds Message-ID: <345033C2.2BE2@dmans.com> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Len Seligman (by way of Kim Flint) wrote: > > Hi folks, > > I'm a looping guitarist/vocalist that plays with a looping electric > violinist/vocalist. Additional sounds/textures I'd like to bring in include > marimbas, kalimbas (African thumb piano), and steel drums. Any suggestions > about effects that could be used to get these or related sounds from an > electric guitar or violin? > > Thanks, > Len Seligman Put a Roland GK-2A pickup on your axe, connect it to a GR-30 guitar synthesizer and you can have more personalities than Cybil. ------------------------------ Date: Fri, 24 Oct 1997 00:54:07 -0500 From: "Mikell D. Nelson" To: Loopers-Delight@annihilist.com Subject: Re: Demise of MIDI? Message-ID: <345037FF.4EC@dmans.com> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Mark Kata wrote: > Hey you customer reps at Oberheim, Boomerang and Lexicon: Do you know anything about the demise of MIDI or the introduction of ZIPI? > Mark, Sorry, but I am ZIPI illiterate. I do, however have a GR50, and my partner in the Boomerang venture has a GR30. I would be enthusiastic about anything that would improve tracking. Mike Nelson, co-owner Boomerang Musical Products PO Box 541595 Dallas, TX 75354-1595 Tel 800-530-4699 (outside USA, 214-340-6913) Fax 214-343-1038 email mnelson@dmans.com web page http://www.boomerangmusic.com ------------------------------ Date: Fri, 24 Oct 1997 01:46:57 -0700 From: Gil Morales To: Loopers-Delight@annihilist.com Subject: Re: Jam Man: sell or trade Message-ID: <34506081.5899@faderboy.com> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit Type in your real name here wrote: > > I have a pristine Jam Man with 32 second upgrade that is gathering > dust and would be put to much better use by somebody else. I am most > interested in trading it for a midi sound module that would work > nicely with a midi guitar controller (Shadow 075). I do not know what > a reasonable selling price would be, so I could use some feedback on > that as well. > > Thanks > > Greg Rosenberg > gregory@itis.com I'd give you $300 for it - I'm in dire need of one... thanks Gil Morales -- PEACE faderboy@faderboy.com http://www.faderboy.com/ ------------------------------ Date: Fri, 24 Oct 1997 06:44:26 -0400 (EDT) From: PJBMHB@aol.com To: Loopers-Delight@annihilist.com Subject: Re: Vortex for sale Message-ID: <971024064425_-693286144@emout09.mail.aol.com> i have seen spanking new vorteces for less than this on sale. you might want to come down a bit in price. sorry, =-) PJ ------------------------------ Date: Fri, 24 Oct 1997 09:19:30 -0400 (EDT) From: Dpcoffin@aol.com To: Loopers-Delight@annihilist.com Subject: Re: Re: Vortex for sale Message-ID: <971024091930_83986316@mrin40.mail.aol.com> <> Well, thanks, but I'm not the Price Club, and that's what it'll currently take to pry it from my covetous grasp! There's at least that much pleasure left for me in the old box, whenever I get around to it... dpc ------------------------------ Date: Fri, 24 Oct 1997 10:02:22 EDT From: Dpcoffin To: Loopers-Delight@annihilist.com Subject: Re: Re: Vortex for sale Message-ID: <6edc41ec.3450aa45@aol.com> Content-type: text/plain; charset=US-ASCII Content-transfer-encoding: 7bit Re: the question of what a Vortex should sell for: FYI, I've already sold mine--and turned away another offer--at $235, within 12 hours of posting it... dpc ------------------------------ Date: Fri, 24 Oct 1997 16:23:34 +0100 From: Erik Ljones To: Loopers-Delight@annihilist.com Subject: ring mod signals & Re: marimba, kalimba, steel drum sounds Message-Id: <3.0.1.32.19971024162334.0074740c@pop.stud.ntnu.no> Content-Type: text/plain; charset="us-ascii" Matt wrote: >Try putting tiny alligator clips on your strings at various positions. You >can get some weird ringy/gongish/percussive sounds depending on where you >place the clips. I purchased a pack of 12 clips at Radio Shack for less >than 4 bucks. They come in different sizes but I went with the smallest. Since english is not my native language, would someone be kind and explain to me what an alligator clip is? Is Radio Shack some kind of an electronics dealer...I was wondering where in Norway I should go to look for something like this. Also, I finally got ahold of a decent ring modulator w/ a multiplier chip in it. It has two inputs (no internal oscillator on this unit), so I was wondering if any of you guitarists out there have any ideas for signals to modulate my guitars with...I'm into the concept of creating new and interesting sounds with a guitar, so anything unusual is especially of interest. As for the not so drastic use of a ring mod, I probably should get an oscillator that can generate all the simple waveforms. Where & how can I get something like this without having to spend all my money? Any advice and/or suggestions on this would be deeply appreciated. Thanks Erik Ljones ------------------------------ Date: Fri, 24 Oct 1997 10:40:17 +0200 From: David & Daniel Ferguson To: Loopers-Delight@annihilist.com Subject: Re: Breath controller? Message-ID: <34505EF1.41C5@hom.net> Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I believe Yamaha has in it's current production line a "wind controller", of course the DX synths had breath controler inputs, but I don't think any MIDI CC data is produced, also there is some sort of 3rd party box that you can plug the old DX breath controller and I believe it transmits MIDI CC, I'll look in to it. Daniel Ferguson --------------------------------